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Fresh Paint, a weeklong Tel Aviv art fair, opens Tuesday. This year, it has a special resonance: It’s part of the city’s Art Year, marking the opening of a $50 million wing that has nearly doubled the exhibition space of the Tel Aviv Museum of Art.

[ICONS telaviv]

Lena Revenko, “No Place Like Home”

Lena Revenko’s ‘No Place Like Home’ will be at the Fresh Paint fair.

“Tel Aviv is one of the most interesting places at the moment for contemporary art,” said Friedemann Malsch, the president of the International Association of Curators of Contemporary Art, explaining why the group held its annual congress in the city earlier this month. The city’s art scene is compelling, he adds, because artists are grappling in their work with Israel’s intensely political society.

For the last decade, Tel Aviv has developed a reputation as a world-class party town and a breeding ground for start-up entrepreneurs. The new museum building and the focus on the local cultural scene are part of an effort by Israel’s most cosmopolitan city to burnish its international image and tout its arrival as a Mediterranean hothouse of contemporary artists.

Fresh Paint is taking place in a school and will include pavilions housing two dozen of Israel’s leading contemporary galleries. They’ll feature established Israelis like Sigalit Landau (born 1969), who will show sketches. Among other things, she’s known for rolling a barbed-wire hula hoop around her belly, and she has had a solo exhibition at New York’s Museum of Modern Art. Near the galleries is a “greenhouse” that displays the works of 46 up-and-coming artists—among them Lena Revenko, whose work, on old book pages or origami paper, is often inspired by mythology.

As for the new Tel Aviv Museum of Art wing, which opened late last year, it’s the design of Harvard University architecture professor Preston Scott Cohen and is meant to be a showcase for Israeli art dating from the beginning of the 20th century. The new wing’s exterior resembles an ark of flowing geometric shapes, with a kaleidoscopic “waterfall of light” in the central atrium.

In the museum plaza, “White Tent City,” an Art Year installation in March, let visitors use mobile phones to post digital messages on a model of Tel Aviv’s boulevard tent city of 2011. That tent city sparked hundreds of thousands to participate in nationwide demonstrations over the cost of living.

Israeli artist Ofri Cnaani—who now lives in Brooklyn and has a solo exhibition, “Special Effects,” at New York’s Andrea Meislin Gallery—says Tel Aviv “brings a very special voice” to the rest of the world.

—Joshua Mitnick

A version of this article appeared May 12, 2012, on page C14 in some U.S. editions of The Wall Street Journal, with the headline: Tel Aviv’s Art Scene: Edgy, Political and Expanding.

© 2011 Wall Street Journal (www.wsj.com)

Julie Barbour-Issa calls her eight-year-old cellphone “the dinosaur. It’s a brick, and I could use it as a weapon in an emergency,” says the 30-year-old Norwood, Mass., civil engineer.

While most consumers rush to get new smartphones every 12 to 17 months, a few holdouts cling to obsolete cellphones and other tech gear that is four, six or even eight years out-of-date. Sue Shellenbarger explains on Lunch Break. Photo: Motorola

The screen on her Nokia 6010 got a star-shaped crack when it was dropped on a rock after an office Christmas party four years ago. It’s embarrassing to whip it out at family gatherings, she says, where relatives have all the latest smartphones. Even buried deep in her purse, the phone has an antiquated “beepity-beep” ringtone that embarrasses her. “My friends say, ‘I had that phone back when it was cool—10 years ago,’ ” says Ms. Barbour-Issa, who is currently an at-home mom. She missed a hike with her friends recently because they set it up spontaneously using their smartphones to message each other on Facebook.

Janey Bishoff

David Blumenthal: His Welsh terrier chewed the case of his five-year-old Samsung flip phone to ‘the consistency of an old piece of gum.

But all that is OK with her, she says. “I hate waste. I don’t care if I’m hip. And I’m cheap.”

Most consumers rush to get the hot new cellphone—every 17 months on average, according to J.D. Power and Associates, a marketing-information company. Device makers like Apple, Motorola and Nokia—as well as cellphone carriers—constantly advertise the latest models and fastest service. Still, the holdouts cling to obsolete models with clunky designs.

Andrew Morris

Kat Lopez: Whipped out her Samsung Juke (‘You flip it open like a switchblade’) and challenged her smartphone-toting friends to a ‘text-off’ to see who could type the fastest.

These die-hards say they are reducing waste and like sidestepping costly service contracts. Some like the simplicity of phones with few functions, says Anthony Scarsella, chief gadget officer at Gazelle, a Boston-based reseller of electronic gear. Others “want to make a statement: ‘I don’t want the latest and greatest, I want to hold on to what I have,’ ” Mr. Scarsella says. About 6% of the 600,000 gadgets traded on Gazelle’s website in the past two years are cellphones over three years old.

David Blumenthal still uses a five-year-old green Samsung flip phone, even after his Welsh terrier chewed the case to “the consistency of an old piece of gum,” he says. He tried to buy a replacement cover but couldn’t find one. So he put Scotch tape over the back to hold in the battery. “It’s a very basic, functioning telephone, and that’s what I use it as—a telephone,” says the Chestnut Hill, Mass., attorney. Raised in a frugal Maine family, Mr. Blumenthal sees no need to “keep running out and buying new things if you can patch them and they hold together.”

Stacey McFadin

Daniel Clarkson: Friends laugh at his eight-year-old Samsung. But when he drives to an unfamiliar place, ‘I like the idea that I can look at a map and get around on my own.’

Others develop an attachment to a certain model, says Joe McKeown, a vice president at ReCellular, an Ann Arbor, Mich., cellphone recycler. Some customers have bought five or six identical models of the original Motorola Razr, an ultraslim flip phone that was extremely popular six or seven years ago, he says.

Kat Lopez has loved the Samsung Juke ever since she first spotted a turquoise-and-silver model in a Verizon store in 2007. “You flip it open like a switchblade,” says the Manhattan, Kan., graduate student. It fits easily in her pocket, but it also flies out easily. She is now on her fifth Juke—one was lost when she was riding a roller coaster. When Samsung stopped making them, she sourced the last two from a college friend and on Amazon for $50.

Lehtikuva

Soviet leader Mikhail Gorbachev was photographed in 1989 using a Mobira Cityman to make a call from Helsinki, Finland, to Moscow.

When friends made fun of her Juke’s tiny alphanumeric keypad, asking, “How do you text on that thing? It’s so small,” Ms. Lopez says, she challenged them to a text-off over dinner and won—by typing and sending an excerpt from the restaurant menu faster than her two friends using smartphones. “I’m so used to it that I don’t have to look while I text,” she says.

Daniel Clarkson’s friends laugh at his eight-year-old Samsung flip phone, which actually has an extendible antenna. But the 31-year-old Memphis federal court clerk likes avoiding the temptation to text or make calls while walking down the street, or download directions while driving. People focused on their smartphones are “so oblivious to their surroundings, they could walk into a car in the street and not realize it,” he says. And when Mr. Clarkson drives to an unfamiliar place, “I like the idea that I can look at a map, and get around on my own.”

Everett Collection

In 1987, a Motorola DynaTac phone was used by Gordon Gekko (played by Michael Douglas) in ‘Wall Street.’

For Erica Koltenuk, “the pressure to always be in communication with people is overwhelming,” she says. She liked the fact that the battery in the old Motorola Razr flip phone she used for the past 1½ years couldn’t hold a charge for more than five minutes. It gave her a good excuse for keeping phone calls short. “I could say, ‘Gotta go, my phone is dying,’ ” says the 25-year-old Salt Lake City teacher, student and wilderness guide. “I think being on the phone or texting prevents you from doing things in the moment.”

She has found a kindred spirit in her boyfriend, Patrick Crowley. The last time Mr. Crowley bought a new phone five years ago, he told the salesman, “I want a phone that you could drop-kick into a lake and go get it and still be able to make a call.” Mr. Crowley, 32, a hydrologist and co-founder of Chapul Inc., a health-food start-up, got a Casio G’zOne, then replaced it with an old, used model off Craigslist two years ago. He uses it only to make calls—and occasionally as a flashlight. When he comes home, he and Erica “don’t want to be looking at our phones,” he says. “We want to be cooking together and having face-to-face conversations.”

Write to Sue Shellenbarger at sue.shellenbarger@wsj.com

A version of this article appeared March 28, 2012, on page D1 in some U.S. editions of The Wall Street Journal, with the headline: The ’80s Called, and They Want Their Cellphones Back.

© 2011 Wall Street Journal (www.wsj.com)

Release Date: 03/01/2012Contact Information: David Kluesner (212) 637-3653, kluesner.dave@epa.gov

(New York, N.Y.) The U.S. Environmental Protection Agency has proposed a plan to clean up contaminated sediment, soil and debris in streams and in an area near lagoons in which industrial wastewater was stored at the Universal Oil Products Superfund site in East Rutherford, New Jersey. The proposed cleanup plan will eliminate the threat of contaminants spreading off the site through the streams that carry water into Berry’s Creek, located on the eastern border of the site. The EPA is simultaneously overseeing a comprehensive study of the site to determine what other measures may be necessary to address the contamination.

The EPA is encouraging the public to comment on the plan through March 30, 2012 and will hold a public meeting on March 6, 2012 at 6:30 p.m. at the East Rutherford Memorial Library, 143 Boiling Springs Avenue, East Rutherford, New Jersey. The plan is available at the library and on line at http://www.epa.gov/region2/superfund/npl/universaloil/.

"This is a heavily contaminated site which includes mercury, PCBs and other pollutants that could potentially spread off the site by streams. EPA is taking action to protect public health and, the environment and wildlife. This is a complex, toxic site. I urge the public to become informed and involved in this important issue," said EPA Regional Administrator Judith A. Enck.

Volatile organic compounds, semi-volatile organic compounds, polychlorinated biphenyls and metals from the former chemical laboratory and recovery facility have contaminated soil, ground water, sediment and surface water. Mercury, PCBs and other chemicals impact Berry’s Creek as they move to and from the site through the tidal action of the creek. Fish and crabs in Berry’s Creek and adjacent water bodies are contaminated with chemicals at levels that exceed U.S. Food and Drug Administration guidelines for human consumption.

PCBs can cause cancer in humans, as well as a variety of other adverse health effects on the immune, reproductive, nervous and endocrine systems. Mercury exposure at high levels can harm the brain, heart, kidneys, lungs and immune system of people of all ages. Birds and mammals that eat fish are also affected by mercury and PCBs in contaminated water and sediment, and can be harmful to the health of people who eat them.

Beginning in 1932, Trubeck Laboratories operated an aroma chemicals laboratory and later a solvent recovery operation at the site. Universal Oil Products acquired the property and facilities in 1960. Operations at the facility ended in 1979 and the buildings were demolished in 1980. In 1999, Honeywell acquired the site through a merger.

The Universal Oil Products site is approximately 74 acres, which are divided into uplands and stream areas. The uplands, located in the northwest corner of the site, are man-made lands and municipal trash placed there years ago on top of native soils and peat. Cleanup work there has been completed, including the excavation of contaminated soil. Honeywell is currently conducting a long-term study of the nature and extent of contamination in and around streams under a legal agreement with the EPA. Sampling has shown that contamination in the vicinity of lagoons where wastewater was once stored is substantially higher than the rest of the site and that contamination has the potential to move into other areas.

Under the proposed cleanup plan about 27,000 cubic yards of contaminated sediment, soil and debris from the area in and around the previous wastewater lagoon and adjacent stream channels will be excavated, dewatered and taken off site for disposal. A tide gate will be installed at Murray Hill Parkway and water will be taken out of the lagoon and channels to allow for dry excavation down to the natural clay layer that is present throughout most of the site. Soil will be added to provide cover and allow vegetation to grow to provide habitat for wildlife. The estimated cost of this proposed cleanup is $16.4 million. Honeywell has agreed to pay for and perform the cleanup work.

A document, called an Engineering Evaluation/Cost Analysis, which evaluates the various cleanup options considered in developing the proposed cleanup plan is available at the East Rutherford Memorial Library and on the website http://www.epa.gov/region2/superfund/npl/universaloil/. The EPA encourages the public to submit comments to the EPA. The EPA is accepting public comment on the proposed cleanup until March 30, 2012. Written comments may be mailed or emailed to:

Doug Tomchuk, Remedial Project Manager
U.S. Environmental Protection Agency
290 Broadway, 19th Floor
New York, New York 10007-1866
Email: tomchuk.doug@epa.gov

The EPA has a website to inform the community about the site at: http://www.epa.gov/region02/superfund/npl/universaloil.

Follow EPA Region 2 on Twitter at http://www.twitter.com/eparegion2 and visit our Facebook page, http://www.facebook.com/eparegion2.

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Published by: United States Environmental Protection Agence (EPA) (yosemite.epa.gov)

Story By: by Patrick Jarenwattananon

Do conservatories produce “cookie cutter” musicians? (At least they’ll be able to play a certain Jimmy Heath blues well.)

More links from this week:

Elsewhere at NPR Music:

Story By: by Eyder Peralta

Update at 4:39 p.m. ET. $28 To $35:

The AP reports that Facebook has set a price range for its initial public offering between $28 and $35.

The AP adds:

“At the high end, this could raise as much as $11.8 billion. That’s much higher than any other Internet IPO in the past, even Google Inc. in 2004.”


That price range “would value the company at $77 billion to $96 billion,” The Wall Street Journal reports.

Google was valued at $23 billion when it went public in 2004.

Our Original Post Continues:

The news on Facebook is ramping up as its initial public offering approaches. Today, there’s news that Facebook will make its pricing official as markets close today.

Quoting a “person with knowledge of the matter,” The New York Times says it “should be in the high $20s to mid $30s range,” raising about $10 billion when it offers about 10 percent of its stock.

That would mean that Facebook believes it is worth $100 billion. That’s in line with what Reuters is reporting.

Quoting “people familiar with the matter,” The Wall Street Journal is reporting that Facebook plans to value itself at “$85 billion to $95 billion.”

Yesterday, news broke that Facebook would go public on May 18.

Story By: by David Browne

Former Grateful Dead drummer Mickey Hart incorporates sampled sounds of the cosmos in “Who Stole the Show?”

Song: “Who Stole the Show?”

Artist: Mickey Hart Band

CD: Mysterium Tremendum

Genre: World

Plenty of Deadheads will argue that the Grateful Dead tapped into the unknowable mysteries of the cosmos with its music. And, at its most exploratory and improvisatory, the band came as close as musicians could to doing just that, even if you weren’t chemically altered while listening. On his latest solo album, former Dead drummer Mickey Hart takes that concept one extraterrestrial step further.

With the help of technicians at Penn State and Lawrence Berkeley National Laboratory, Hart captured light waves of celestial events like supernovas and turned them into sound waves. He then melded those recordings with the music of his own band, resulting in what could truly be called otherworldly pop.

“Who Stole the Show?” proves how effectively the music of our planet and others can have what Hart calls a conversation. The track starts hypnotically, with those crunchy, spacey sounds of the universe lurking behind the chant-like voice of Nigerian percussionist and longtime Hart collaborator Sikiru Adepoju. (The translation of the elliptical lyrics — “People ask me to accept a chieftainship / My response, personal peace overrides all things” or “Instrument used for divination is never false” — suggests a subtle political message.)

The song doesn’t stay spaced-out for long: In come some bluesy slide-guitar licks and good old-fashioned primal rock drums. You’ll hear a bit of the Dead here, along with hints of Peter Gabriel at his most world-music-infatuated. But you’ll also hear the sound of a veteran rocker who looks to carry on the traditions of his former band, even if it means literally leaving this world.

Dubai: Mickdaam franked his UAE Derby (G2) form to win a thrilling renewal of the Chester Vase at the vintage Roodee racecourse yesterday.

The son of Dubawi, who was trained by South African handler Mike de Kock when based in Dubai earlier this year, battled hard under jockey Tony Hamilton to prevail by a nose from the Michael Hills-ridden Model Pupil.

The Chester Vase, which is run over 2,400 metres, serves as a trial for the Derby (G1), and yesterday’s performance will have secured him a ticket for the Epsom showpiece which takes place in three weeks.

The last horse to successfully use the Vase as a stepping stone to the Derby was Quest for Fame, who won at Epsom in 1990.

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© 2011 Gulf News (www.gulfnews.com)
© 2011 Wall Street Journal (www.wsj.com)

Story By: by NPR Staff

by Gary Krist

Gary Krist is the author of Bone by Bone and The Garden State, winner of the Sue Kaufman Prize for First Fiction.

Krist says that’s when the race riots took a turn for the worse.

“It really just spiraled into a five-day orgy of violence that was really revolting in many ways,” he says. “The police seemed incapable of doing anything about it. There were rumors that some of the white rioters were politically protected and so the police weren’t touching them.”

Krist points out that these were the first race riots in which African-Americans aggressively fought back, and he says that was seen as a positive by many community leaders.

“There was this sense among the black community that black soldiers had performed in a stellar fashion in the war in Europe and they had come back and they were ready to claim their rights as American citizens. And what do they get? They get race riots and abuse,” Krist says.

The violence on the streets got so bad that Mayor Thompson had to call in the National Guard.

“Within hours there were thousands of troopers heading into the streets with howitzers and rifles and bayonets — and they met a lot of resistance. A lot of the athletic clubs put up a fight, but really within 24 hours they had more or less restored order,” Krist says.

The Legacy

In the period of 12 days Krist writes about, 38 people in Chicago died, more than 500 were injured, and thousands were left homeless, many as a result of fires that destroyed their homes.

Each disaster had a lasting impact on the people living in Chicago, but Krist says the race riots in particular affected the city’s future.

“It really had the effect of hardening the color line that had just really been developing in the city over the previous few years,” he says. “It really left a legacy of residential segregation in Chicago that lasted for decades and some would say the legacy is still there.”

Krist says the crisis of those 12 days also had a positive legacy: It helped move Chicago’s redevelopment plan forward.

“One of the effects of the crisis was, paradoxically, that Mayor Thompson came out stronger than ever,” Krist says. “Initially he took a lot of guff for his performance and particularly the delay in calling the militia, but ultimately because the aftermath of the riot investigations were totally botched … they created a lot of outrage in the city that Thompson was able to use to gather support.”

Thompson used his newfound power to push through major construction plans.

“I think a lot more of the Chicago plan did get finished and so a lot of the architectural gems that make Chicago such a showpiece today, you know, the Navy Pier, the Magnificent Mile, the Michigan Avenue Bridge, the park system — all of these were kind of a legacy of this mayor who is a joke in some circles.”

Read an excerpt of City of Scoundrels

Back from India, and I think I’ve gained about, oooh, 100lbs from all the amazing food, so I’ll be getting back into my gym routine this week – yeah, yeah, excitement and glamour, I know! Friends are having a dinner party this Friday night and I’m in charge of bringing dessert, so, inspired by Twenty10’s giant Jaffa Cake, I might attempt something of the pimpthatsnack variety. A giant Reese’s Peanut Butter Cup could be in order. I’ll be catching up on the episodes of Man Vs Food and Keeping Up With The Kardashians that I missed out on whilst away, plus, Mr Gemma has been kind enough to donate some cash to the Gemma White Shoe Fund, and Jimmy Choo is totally on my radar. Finally, as I’m just back from one vacay, it’s time to plan the next, I’m off to Seoul in July for the Jisan Valley Rock Festival – which so far boasts The Stone Roses, Beady Eye and Radiohead. Seriously, do I really have to come back to work?
Gemma White, Editor

I have my lovely friend Felicity in town from Abu Dhabi this weekend, and so am going to do a bit of a Dubai’s greatest hits tour. We’re going to start off by visiting 360 on Thursday night – why? Well, first things first, the ocean-surrounded Burj Al Arab-side bar is like no other, but also because it closes at the end of the month for a complete refurb, so it’s last chance saloon to visit an old favourite. Then, on Friday, I’m thinking a brunch. And, I’m thinking my favourite brunch, which is the affordable (Dh260 with house beverages) Thai Kitchen in the Park Hyatt. I love the laid-back vibe, the cool decor and the Thaipas – it’s decadent, but not to the Roman proportions of so many Friday lunches in the city. Saturday I’m going to take her to JBR The Walk for an early morning stroll and breakfast (I have yet to find a truly delicious breakfast spot there, though – am thinking Saladicious may be my best option). On Tuesday I’m definitely heading to arty Al Serkal Avenue to visit Ayyam Gallery’s Young Collectors Auction. The art sale features “affordable” art, I love the work by Iranian artist Shadi Ghadirian, but we’re still talking five-digit numbers so I may have to sit on my hands to avoid any bidding accidents. Either way, I love the buzz of an auction, and it’s something different to do on hump day.
Nyree McFarlane, Deputy Editor

I knew my American Idol obsession was getting out of control when I had a dream about Phil Phillips and Coldplay’s Chris Martin performing on stage as a two-headed, guitar-playing, funny-dancing man. But seriously, how good was last week’s show? I cannot believe the amazing Skylar Laine was sent home before the hideously vanilla Holly Cavanagh. Who keeps voting for this insanley dull girl?! But regardless of my opinion of Holly, I’m hoping either Joshua or Phillip wins (even though Jessica is THE BOMB) and Holly disappears back to the boring world from whence she came, minus the record contract. Oh dear. I think I am actually obsessed. If I happen to make it out of the house this weekend after my AI marathon, I’ll be heading over to one of the final nights at 360 (maybe I’ll bump into Nyree?) to enjoy some mellow tunes and mojitos before it closes for the summer and gets a whizz-bang makeover (it’s going to be an indoor and outdoor venue come September – eek!) And then, since I’m already thinking about my trip home in the summer, I’ll be booking my flight on Virgin Atlantic and hoping I’ll be treated to a lovely Richard Branson ice cube in my post-take off tipple. No joke. The VA boss has been immortalised in ice so passengers can chill out with the face of the airline as they fly. Weird!
Lucy Wildman, Fashion Editor

This evening I’m going to dinner at the delicious China Club in the Radisson Blu, their dim sum is some of my favourite. Tomorrow I’m going for yet more food and trying out the new Belgian Beer Café’s brunch. I’m a big fan of the BBC in the Millennium, but I’m quickly being converted to the Madinat bar, so am looking forward to their brunch. On Saturday I’m making my way to Times Square because I’ve heard Shake Away has opened up in the mall – it’s my favourite milkshake place in the UK, so I’m made up that it’s in Dubai, make mine a Crunchie shake! I have some by-royal-appointment online shopping to do too, I need these Will and Kate Tiny Idol eau de toilette sprays, and my cosmetics collection simply won’t be complete until I own them. During the week I’m making sure I head to Mall of the Emirates to check out The Beatles photo exhibition, I’ll probably spend the whole time humming as I make my way round… the other gallery visitors won’t mind that, right?
Farah Andrews, Writer

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© 2011 Gulf News (www.gulfnews.com)